Godzilla, Chinatown and XXX: Cinephile Stephanie Sack (Episode 961)

Cinephile Stephanie Sack returns to preview cool screenings at local independent theaters. Discussed in this episode:

-“Go Go Godzilla,” a Godzila marathon at the venerable Music Box Theatre
-Chinatown – 50th anniversary screening at the Pickwick (Park Ridge)
-Hollywood 90028 at Alamo Drafthouse
-Modern Horror Retro Vibes Double Feature of Pearl and X at Facets (produced/curated by Stephanie)

##

The summer season at Ravinia is here… and there’s no place more comfortable to see outdoor shows.

Your Ravinia Ticket gets you a free ride in Metra’s UP North Line… e train ride to and from the park on Metra’s Union Pacific North Line. Just show your same-day concert ticket to the conductor, and you’re good to go!

##

A smart home connects virtually all of the technology in your home. With an Easy Automation-installed smart home system, you and your family can control nearly every device and system in the house in ways that are easy and fun to use.

Transform your living space with cutting-edge home automation. Experience seamless control over audio/video, lighting, climate, security, and more. Embrace the future of smart living – your home, your rules.

Get a quote by visiting Easy-automation.net, or call Dan at 630.730.3728


TRANSCRIPT

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This right here is Car Con Carne, a Q101 podcast.

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I’m James VanOsdol.

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Just this past week, I relaunched the Car Con Carne merch store.

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You can get to it on carconcarne.com.

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It’s the shop tab in the navigation.

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There’s also an article about it on the homepage.

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You can get a handsome Car Con Carne hoodie, or a hoodie with an embroidered logo, very fashionable.

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T-shirts, trucker caps, tote bags to carry around your stuff.

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It’s a great way to support the show.

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I don’t make a ton of money off it.

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It really is a way to help promote what it is you listen to and watch here on Carcone Carne.

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So I’d appreciate your support.

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And hopefully in return for your support, you get something cool to wear that is durable and will last at least a little bit.

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So thank you for your consideration there.

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Car Con Carne sponsored by Ravinia.

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ravinia.org is where you check out the schedule, where you buy tickets, learn more.

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I’ve talked about it before, but man, what a season we are in at Ravinia.

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What a bunch of shows coming up spanning every conceivable genre.

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I’ve talked at length about the Violent Femmes show.

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Just some other names just to give you a sense of what’s to come at Ravinia coming up.

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Little Feet with Los Lobos, both on the same bill.

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Roger Daltrey with KT Tunstall.

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Michael Franti and Spearhead.

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This is going to be a fun one, especially considering Ravinia is an outdoor venue.

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Trombone Shorty and Orleans Avenue with Big Boy and Danielle Ponder.

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That’s a whole show happening on June 19th.

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So much going on.

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ravinia.org.

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If you want to get there and not have to drive, jump on the Union Pacific North Line and Metra.

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Show your conductor the same day ticket and you ride for free, which is perfect.

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ravinia.org.

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Car Con Carne also sponsored by Easy Automation.

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Safety and security are things that you and I want, need and expect.

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What if you could always come home to a well lighted house, knowing that you and everyone inside was safe?

00:02:20.610 –> 00:02:26.030
Or know that the package you’ve been waiting on was delivered safe and secure.

00:02:26.510 –> 00:02:28.030
Embrace the future of smart living.

00:02:28.050 –> 00:02:30.390
Empower your home with intuitive control.

00:02:30.410 –> 00:02:32.170
It’s so cool and it’s so easy to do.

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Call my guy Dan at Easy Automation.

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I think he’s on vacation, but he’s ready to take your call.

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Easy Automation for a free, no hassle quote, 630-730-3728 or visit easyautomation.net.

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This is Car Con Carne in Printers Row tonight.

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To my right, if you’re watching this on Facebook or the YouTube, she is a returning guest.

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She’s a returning favorite.

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She’s a delight.

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She is Cinephile Stephanie Sack.

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Hello.

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And as we’re heading into summer blockbuster season, I thought it was a good time to bring Stephanie back so she could tell us about the stuff that’s not the shit you see at the local Cineplex.

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She’s always got a line on all the cool stuff happening, the art house stuff, stuff you may want to jump into.

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Stephanie, lovely to see you.

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Likewise, thank you so much for having me.

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It’s the first week of June.

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It’s gorgeous out.

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It’s like 70 degrees, sunny, a little breezy.

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Like this is why people stay in Chicago through the winter is like today.

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Agreed.

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And all the virgins I sacrificed worked.

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So you’re welcome.

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As we talk about things that are happening at the cinema, the non-traditional picks, the big one, literally the big one, Godzilla.

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Go, go, Godzilla.

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With a purposeful grimace and a terrible smile, he pulls the spitting high tension wires down.

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I mean, it’s self-explanatory.

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There’s a song about it.

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There is.

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It narrates the whole thing.

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So Godzilla at the Music Box.

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I mean, really, what could be better?

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The King of Monsters at the Midwest’s most beautiful theater.

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James, I heard about this months ago, and I have been living for Godzilla at the Music Box.

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You messaged me a few times about it.

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This is absolutely front and center for you.

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They’re screening a whole bunch of Godzilla.

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It’s not just a Godzilla movie.

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They’re going all in.

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I mean, this is ostensibly the most comprehensive.

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First time that word was used on this podcast.

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Thank you.

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Really?

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Yeah, really.

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Well, my favorite book is The Dictionary.

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So there’s that.

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And obviously, one of my favorite franchises is Godzilla.

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So it’s all working out.

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So this is ostensibly the most comprehensive film series of Godzilla ever presented in North America.

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That can’t be true.

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That’s the rumor.

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And we’re going to go, go, go Godzilla with it.

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So we’re recording this the first week of June.

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This coming weekend as we’re recording this.

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This coming weekend kicks off on the 7th with some modern Godzilla films, neither of which I have any interest in seeing.

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And it all starts for me on June 8th at noon with the original 1954 Godzilla on 35 millimeter, kicking off a 24 hour Godzilla Fest.

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That is just an epic amount of Godzilla of all the Showa era titles.

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And the Showa era ran from 1954 to 1975.

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So you are just getting on film 20 years of the first foray into Godzilla-ing.

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The originals, all the new monsters, all of the monsters who came to fight with him, against him, beside him.

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There’s robot godzillas, King Kong shows up.

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How can you resist?

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Now, correct me if I’m wrong.

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It’s been a while since I’ve seen these movies.

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I don’t remember them being good.

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Well, good obviously is a matter of opinion.

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And however, for the purposes of this conversation, James, I will actually agree with you.

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There’s a handful of real standouts in the entirety of the Godzilla franchise.

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And I am here to bequeath these standouts to your audience.

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And they are, in no particular order, the original Godzilla from 1954.

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I mean, that’s really the grand daddy of all monster movies in many ways.

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Of course, we are nine years after the end of World War II.

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And this is Japan’s reckoning.

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It is a how the country, how that part of the world is processing, basically how the entire fabric of reality was opened up.

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And when the entire fabric of reality was opened up, it apparently awakens giant sleeping monsters who have been slumbering peacefully in the depths of the Pacific Ocean.

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But that, when you rend the fabric of reality, it awakens them.

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They’re not real happy either.

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Do people need to watch Oppenheimer before going to the Music Box?

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I really wouldn’t watch Oppenheimer before, during or after going to the Music Box.

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But no, I think you can show up with the understanding that the original Godzilla is not only a wonderful film in terms of just the scope, its legacy, but really it’s a piece of post-war history that you just cannot beat for the impact.

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And of course, the sound, the screeonk, the shriek of Godzilla, I’m kind of living for it.

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And then, at the end of the 24-hour fest, there’s Godzilla versus Mechagodzilla.

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That’s the robot Godzilla.

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I mean, really, what could be more amazing than Godzilla versus a robot of itself?

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That’s just so meta and rad.

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And that came out in 1974.

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So we will, through no design of our own, be celebrating the 50th anniversary of Godzilla versus Mechagodzilla.

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The same year that Diamond Dogs by David Bowie came out.

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It’s a pretty good year.

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It’s the same year I came out.

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Interesting.

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I just learned something about you.

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That’s right.

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We all did.

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And then on Wednesday, June 12th, it’s Mothra Day.

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And Mothra is kind of a later character.

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And it’s a she.

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Mothra is a she, which is unique among the Kaiju, which roughly translates as monsters or large creatures.

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And Mothra is being celebrated with a number of screenings.

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I strongly suggest the original Mothra at 4:30 p.m.

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again on Wednesday, June 12th, also on 35 millimeter.

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And from what I understand, representatives from the Field Museum will be on hand to discuss the insectology behind how Mothra looks, how she flies.

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And it’s just going to be a ton of science about my girl Mothra.

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I feel like after the past month of learning everything about cicadas, maybe people don’t want that science.

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I don’t care.

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Maybe we’re done with insects.

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I mean, I’m not, and so therefore it’s going to be Mothra Day.

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Mothra Day.

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Thoughts on Godzilla minus one?

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I’ve never seen it.

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I don’t really like new movies, but you know that.

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I do.

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I thought it was fantastic.

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I’m so glad you did.

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And I’m not saying that with an ounce of snark.

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Maybe a dollop of snark.

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I thought it was fantastic.

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I’m so glad.

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Okay.

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So it’s all about Godzilla at the Music Box.

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Obviously, you know this.

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I’m going to bring this up.

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Music Box shutting down in August for a little bit to replace what would make that theatre perfect?

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Comfortable seats.

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That’s coming.

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We’re getting it.

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We’re staying alive at 95.

00:10:02.470 –> 00:10:05.390
So next on your list, again, Stephanie Sack is here.

00:10:05.410 –> 00:10:06.290
She’s a cinephile.

00:10:06.310 –> 00:10:16.010
The reason why she is here is to let us know about things that movie fans will like that are not the stuff you’d see at your local AMC, Regal, etc.

00:10:16.030 –> 00:10:18.610
Like cool stuff for movie fans.

00:10:18.890 –> 00:10:21.910
America starts the day with America in the Morning.

00:10:21.930 –> 00:10:24.150
Report by the State Department released late Monday morning.

00:10:24.170 –> 00:10:29.090
Hi, I’m John Trout, your host for the latest news, politics, entertainment, business and weather.

00:10:29.170 –> 00:10:32.230
With yet another formidable storm developing over the Central and Central.

00:10:32.230 –> 00:10:38.210
Our staff of correspondents provide a fast-paced look at the world with specialized reports from where news happens.

00:10:38.230 –> 00:10:41.890
Consumer sentiment took a little dip last month, according to the University of Michigan.

00:10:41.930 –> 00:10:44.650
Concise, accurate and fresh each day.

00:10:44.750 –> 00:10:48.510
America in the Morning, the podcast, available wherever you listen.

00:10:48.770 –> 00:10:52.650
So next up is a Stone Cold classic, Chinatown.

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There’s an anniversary screening happening at the Pickwick, another old school theatre in Park Ridge.

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The Pickwick in Park Ridge.

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Which was saved from oblivion.

00:11:01.390 –> 00:11:02.650
That was on the brink of oblivion.

00:11:02.750 –> 00:11:04.190
It really was.

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I mean, talk about a palace of film.

00:11:09.530 –> 00:11:11.190
It’s over a hundred years old.

00:11:11.490 –> 00:11:14.810
When you get off the train in Park Ridge, it’s the first thing you see.

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It’s got that beautiful edifice.

00:11:17.270 –> 00:11:19.330
It’s got that nice big marquee.

00:11:19.710 –> 00:11:25.150
And at one point, it was just one giant theatre which held 1400 patrons.

00:11:25.870 –> 00:11:26.910
Unreal.

00:11:27.270 –> 00:11:32.430
These days, the large theatre holds 900 people, which is still not too shabby.

00:11:32.450 –> 00:11:33.550
That’s substantial.

00:11:33.570 –> 00:11:34.050
Amazing.

00:11:34.070 –> 00:11:34.610
I haven’t been there.

00:11:34.630 –> 00:11:39.190
The last time I was there was for a Halloween screening of The Blob like 10 years ago.

00:11:39.210 –> 00:11:40.710
I am so overdue to go back there.

00:11:41.190 –> 00:11:42.470
That’s amazing.

00:11:42.490 –> 00:11:48.330
Well, this screening of Chinatown is a pretty good time to slip in and see what’s going on.

00:11:48.770 –> 00:12:01.770
What a fabulous way to celebrate another 50th anniversary, 1974 Chinatown, one of the best American neo-noirs.

00:12:01.810 –> 00:12:06.870
And over time, I think we have come to see it as a noir.

00:12:07.230 –> 00:12:14.750
It surpassed the neo-noir genre and become a classic, like you said, a stone cold classic.

00:12:14.770 –> 00:12:18.410
We’ve got Faye Dunaway, Jack Nicholson.

00:12:18.790 –> 00:12:22.090
It was produced by Robert Evans.

00:12:22.630 –> 00:12:26.990
The whole thing is really shades of Watergate.

00:12:27.350 –> 00:12:30.050
We’ve got elusive government plots.

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We’re in Southern California.

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It’s 1937.

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The country’s coming off of the war.

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There’s money.

00:12:39.670 –> 00:12:43.010
There’s weird things happening about water.

00:12:43.370 –> 00:12:52.250
I mean, in many ways, not only is what’s happening in Chinatown still very relevant, but you’ve got this script that’s so tight.

00:12:52.690 –> 00:12:57.050
Every scene, every line of dialogue, every look.

00:12:57.890 –> 00:13:03.270
It’s arguably one of the most perfect films in the American canon.

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Cannot wait for this.

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What a treat.

00:13:08.050 –> 00:13:09.050
This is June 12th.

00:13:09.410 –> 00:13:13.850
June 12th, 7P at the Pickwick in Park Ridge.

00:13:14.190 –> 00:13:21.170
And I know that neighborhood because that’s right across the street from the Trader Joe’s with the most difficult parking lot in all of the North Suburbs.

00:13:21.570 –> 00:13:31.010
See, James, I also not only do I really not see modern films, the only things I drive these days are UFOs, unicorns and brooms.

00:13:31.410 –> 00:13:36.430
So if that Trader Joe’s has the most difficult parking, go with God.

00:13:36.450 –> 00:13:37.450
Go with Godzilla.

00:13:37.490 –> 00:13:39.430
I mean, maybe you should just ride Godzilla there.

00:13:39.450 –> 00:13:40.130
Go with Godzilla.

00:13:40.390 –> 00:13:40.690
That’s right.

00:13:40.710 –> 00:13:41.510
Go with Godzilla.

00:13:41.530 –> 00:13:43.830
Next on your list is something I didn’t know about.

00:13:44.310 –> 00:13:46.870
Tell me this is June 18th.

00:13:46.890 –> 00:13:47.870
It’s a Tuesday night.

00:13:48.430 –> 00:13:49.090
Two for Tuesday?

00:13:49.190 –> 00:13:50.510
Yes, two, two Tuesday.

00:13:50.530 –> 00:13:55.190
On two, two Tuesday, we’re back in Lincoln Park.

00:13:55.370 –> 00:13:58.890
I’m sorry, Lakeview in Chicago at the good old Alamo Drafthouse.

00:13:59.330 –> 00:14:04.970
And this film is really more in My Wheelhouse, which of course is murder.

00:14:05.010 –> 00:14:06.490
I love murder movies.

00:14:06.870 –> 00:14:09.850
And this one is directed by a chick.

00:14:10.410 –> 00:14:13.050
And murder movies directed by chicks.

00:14:13.770 –> 00:14:18.810
I mean, just pure cinematic bliss for my weirdo mind.

00:14:18.990 –> 00:14:19.810
So what’s the movie?

00:14:20.390 –> 00:14:24.030
It’s called Hollywood 90028.

00:14:24.610 –> 00:14:27.370
And it’s by a lady named Christina Hornisher.

00:14:27.810 –> 00:14:29.830
And this was her only feature film.

00:14:29.850 –> 00:14:31.450
She passed away very young.

00:14:32.170 –> 00:14:34.810
But she directed this film.

00:14:34.830 –> 00:14:40.650
It’s sort of like summertime sadness, like lots of shadows in the sunlight.

00:14:41.350 –> 00:14:50.430
And it’s all about the shadows and the darkness of the sex industry, which of course has a lot of shadows and darkness in it.

00:14:50.890 –> 00:15:03.270
And when you put it in the early 70s in Los Angeles, man, you are going to the depths of isolation, loneliness, and of course, good old murder.

00:15:03.730 –> 00:15:07.610
And this is about a man who is a pornographic cameraman.

00:15:07.830 –> 00:15:09.810
He’s working for Sleazy Porno Directors.

00:15:09.930 –> 00:15:16.450
I’m not sure there’s not a Sleazy Porno Director, but these are the typical Sleazy Porno Directors in Los Angeles.

00:15:16.730 –> 00:15:19.330
And he finds himself falling in love with one of the actresses.

00:15:19.350 –> 00:15:20.190
Does he have a mustache?

00:15:20.650 –> 00:15:22.150
Of course he has a mustache.

00:15:22.170 –> 00:15:23.570
What the hell kind of question is that?

00:15:23.950 –> 00:15:25.910
Is Godzilla big and says screonk?

00:15:26.290 –> 00:15:27.250
When did this movie come out?

00:15:27.270 –> 00:15:28.870
1973.

00:15:29.290 –> 00:15:32.210
And it was thought lost for many, many years.

00:15:32.270 –> 00:15:41.570
And apparently somebody found the reels in like a garbage can that a thrift store or one of the universities had just gotten rid of.

00:15:41.590 –> 00:15:43.750
So it’s a real save.

00:15:44.250 –> 00:15:45.990
And recently it was restored.

00:15:46.190 –> 00:15:54.450
And I had the wonderful luck to catch it in Los Angeles, screened by a fabulous power partner of mine, the Cinematic Void.

00:15:54.950 –> 00:16:04.670
And the Void and I partnered to put together an event for Jallow January, which you were kind enough to cover all those eons ago, all those weeks ago, lifetimes ago.

00:16:05.970 –> 00:16:09.450
And I saw it in Los Angeles with two actors from the film.

00:16:09.830 –> 00:16:11.790
And they have the most amazing things to say.

00:16:12.170 –> 00:16:19.050
But the real, the most indelible part of this film is the final scene.

00:16:19.450 –> 00:16:32.890
And all I’m going to tell you is ever since I saw this film in Los Angeles a few months back, I was really just adulpated to see it again, just vibrating with excitement to see it again.

00:16:32.910 –> 00:16:40.050
And I really thought about screening it myself, but thankfully the twisted minds at the Alamo have read my mind and done it for me.

00:16:40.290 –> 00:16:43.610
So it is Tuesday, June 18th, 7 p.m.

00:16:43.630 –> 00:16:50.750
We are going to Hollywood 90028, SoCal Sunshine, Summertime Sadness, Murder Movies.

00:16:50.870 –> 00:16:51.150
Yes!

00:16:52.330 –> 00:17:02.110
So as people are drinking and high-fiving across the street in any direction in Wrigleyville, this lurid, dark, sleazy movie is playing at the Alamo.

00:17:02.130 –> 00:17:02.730
I kind of love that.

00:17:02.750 –> 00:17:03.450
I like the balance.

00:17:03.510 –> 00:17:06.730
And I will be holding down a seat there.

00:17:07.950 –> 00:17:14.730
For the real story behind some of wrestling’s biggest moments, it’s Something to Wrestle with Bruce Prichard and Conrad Thompson too.

00:17:14.850 –> 00:17:17.010
It feels like April is release month.

00:17:17.150 –> 00:17:24.690
When you get through with that set of stories and it’s time to set a new course for the next WrestleMania, that makes sense if you’re going to do what Jim Ross would call a roster purge.

00:17:24.990 –> 00:17:32.230
Taking a look at your corporation a couple of times a year and realizing that some strength over here or you need to eliminate some.

00:17:32.250 –> 00:17:33.030
That’s all it was.

00:17:33.270 –> 00:17:35.770
Something to Wrestle, wherever you listen.

00:17:38.170 –> 00:17:42.330
Okay, now it all comes back to you, my guest, Stephanie Sack.

00:17:42.350 –> 00:17:42.630
Yes.

00:17:43.310 –> 00:17:48.950
A production, an afternoon, an experience that you are putting on at Facets.

00:17:49.750 –> 00:17:51.150
Good old Facets.

00:17:51.950 –> 00:17:54.190
Wait, wait, these are new movies we’re about to talk about.

00:17:54.210 –> 00:17:55.370
These are new movies.

00:17:56.250 –> 00:18:09.050
I absolutely stand, not corrected necessarily, but you know, every now and again, I will take a chance.

00:18:09.710 –> 00:18:15.810
And I took a chance on these two modern films, and they are Pearl and X.

00:18:16.330 –> 00:18:16.850
So good.

00:18:17.190 –> 00:18:18.810
So good.

00:18:18.830 –> 00:18:21.190
And I’m going to be super candid with you, James.

00:18:21.210 –> 00:18:23.070
Not that I always am not super candid.

00:18:23.090 –> 00:18:23.810
Usually you’re guarded.

00:18:23.830 –> 00:18:25.950
Super candid, I know, like, you know, very evasive.

00:18:26.530 –> 00:18:31.850
So I was asked to be on a podcast to talk about women and horror, and I love to talk about women and horror.

00:18:32.490 –> 00:18:36.550
And the gentleman who produced this podcast asked me to talk about X.

00:18:36.970 –> 00:18:38.430
And I sort of rolled my eyes.

00:18:38.450 –> 00:18:39.710
I hadn’t seen it.

00:18:39.730 –> 00:18:42.170
It looked kind of modern and flimsy to me.

00:18:42.190 –> 00:18:45.190
And I was like, yeah, sure, I’ll talk about X.

00:18:45.610 –> 00:18:51.630
And I watched X specifically to talk about it on this podcast or the podcast I was interviewed for.

00:18:52.790 –> 00:18:54.390
James, James!

00:18:55.610 –> 00:18:58.010
I was blown away.

00:18:58.030 –> 00:18:59.270
I was so impressed.

00:18:59.930 –> 00:19:02.470
And I immediately knew I had to see Pearl.

00:19:02.830 –> 00:19:04.990
And that impressed me even more.

00:19:05.270 –> 00:19:29.790
So to celebrate the release of the third film in the trilogy Maxine, which parenthetically, maybe that’s the first time anybody’s used that word on this podcast, parenthetically, is a tribute to my boyfriend Dario Argento’s beautiful jolly from the 80s, the neon, the sleaze, the unease.

00:19:30.630 –> 00:19:32.890
I am going to be screening a double feature.

00:19:32.930 –> 00:19:44.430
We’re calling it Horror, Modern Horror Retro Vibes of Pearl and X, Facets, July 5th, noon to 5, Hostessed by Moi.

00:19:45.310 –> 00:19:45.690
Perfect.

00:19:45.710 –> 00:19:47.850
Those will be great to see back to back in that room.

00:19:47.950 –> 00:19:52.150
Yes, on the big, very intimate room, on the big screen.

00:19:52.910 –> 00:19:55.530
I’m really excited to see the crocodile scenes.

00:19:56.250 –> 00:19:57.510
Cheap beer and eats there too.

00:19:57.530 –> 00:20:00.030
It’s a very comfortable afternoon watching those movies.

00:20:00.310 –> 00:20:01.570
Mia Goth is spectacular.

00:20:01.650 –> 00:20:06.450
She’s unreal in both of these films.

00:20:06.990 –> 00:20:09.890
And I’m all about, I love to play the game.

00:20:11.250 –> 00:20:15.210
What member of the cast could this film not do without?

00:20:15.650 –> 00:20:16.250
And it’s her.

00:20:16.930 –> 00:20:23.090
She’s the heart, the soul, the terror, the horror of both of these films.

00:20:23.430 –> 00:20:25.630
And I cannot wait to see them.

00:20:26.350 –> 00:20:29.270
Your interests are so pitch black, it’s unbelievable.

00:20:29.690 –> 00:20:32.070
Well, my favorite color is dark black.

00:20:32.350 –> 00:20:32.690
Right.

00:20:32.870 –> 00:20:35.310
Then my second favorite color is shiny.

00:20:37.450 –> 00:20:37.830
All right.

00:20:37.850 –> 00:20:42.710
So we’re covered through basically Independence Day weekend with you.

00:20:42.730 –> 00:20:45.630
So you got to come back and let us know what’s going on in July, August, etc.

00:20:45.970 –> 00:20:49.830
I’m working on something really cool for July, late in July.

00:20:49.850 –> 00:20:55.150
And all I’m going to say is finish science fiction.

00:20:57.130 –> 00:20:58.630
F-I-N-N-I-S-H.

00:20:59.130 –> 00:20:59.650
Interesting.

00:21:00.130 –> 00:21:00.370
We.

00:21:02.230 –> 00:21:09.990
Stephanie Sack, delightful to have you here hanging out in Printers Row, learning about all the cool stuff that isn’t at the big cineplex.

00:21:10.890 –> 00:21:12.330
And there’s a ton of stuff going on.

00:21:12.730 –> 00:21:14.550
There’s so much stuff going on, James.

00:21:14.570 –> 00:21:15.370
We’re so lucky.

00:21:15.370 –> 00:21:19.610
And before we wrap this up, first of all, thank you for hosting me.

00:21:19.650 –> 00:21:21.190
It’s so fun to chat with you.

00:21:21.590 –> 00:21:25.190
Thanks to the Music Box for just being generally awesome.

00:21:25.890 –> 00:21:33.970
And, you know, thanks to your audience for listening to me ramble about some of my favorite things, which are legitimately Godzilla and murder.

00:21:34.170 –> 00:21:35.570
You haven’t started to ramble.

00:21:35.570 –> 00:21:36.910
I cut it before we ramble.

00:21:37.730 –> 00:21:38.690
You were efficient.

00:21:38.730 –> 00:21:39.970
That was succinct.

00:21:39.990 –> 00:21:40.590
That was right on.

00:21:40.610 –> 00:21:42.070
Then you’re doing everyone a favor.

00:21:42.190 –> 00:21:43.710
You’re ostensibly doing a good job.

00:21:44.290 –> 00:21:45.930
Superlative use of the word ostensibly.

00:21:46.670 –> 00:21:47.730
Alright, Stephanie, thank you.

00:21:48.150 –> 00:21:49.470
You’re more than welcome, James.

00:21:49.490 –> 00:21:49.870
Thank you.

00:21:50.590 –> 00:21:54.670
The Bigger Pockets portfolio of podcasts are worthy of your investment.

00:21:54.670 –> 00:21:59.390
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00:21:59.510 –> 00:22:01.190
New episodes available every day.

00:22:01.210 –> 00:22:06.550
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00:22:06.590 –> 00:22:08.370
Bigger Pockets, on the market.

00:22:08.610 –> 00:22:10.830
Rookie real estate or money podcast.

00:22:11.130 –> 00:22:16.090
There’s one sad looking house that’s still for sale with very bad pictures in a suboptimal location.

00:22:16.530 –> 00:22:20.390
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Author: carconcarne